Tuesday evenings, 7:30-9:00pm, Jan 19 – April 6 2021 (12 weeks)
Join us for group rehearsals led by Music Director David Bowser. Technical support provided during the first weeks and while on ZOOM rehearsals. Each session will provide warm-up, historical background on music pieces, instruction on vocal technique and musical interpretation. Audio recordings of section leads will be provided to rehearse with.
Interspersed with instruction related to vocal technique and musical interpretation, choristers sing along with various videos of David conducting directly to the camera with audio of our four section leads singing all parts (with piano accompaniment). Each voice part will be presented separately in break-out rooms, allowing sectional work before the choir gathers again to sing all parts together. Our goal is to make choristers feel connected, engaged in the musical process and supported musically as they learn their parts.
Other topics and resources will be introduced for discussion such as vocal health during the pandemic; interview with soprano Allison Walmsley; learning resources for sight reading, ear training, vocal pedagogy; stories from the performing world; announcements regarding on-line performances by other groups, etc.
At the end of each rehearsal Music Director David Bowser will outline music to prepare for the next week.
Rehearsal videos and other resources are posted on the members page of the OCS website after each rehearsal.
At the end of each rehearsal, time is reserved for a virtual social gathering among choristers to discuss and exchange.
EARLY BIRD PRICING TIL DECEMBER 31st is $135
Young Peoples Membership (18 yrs – 30 years ) is just $50
Register at www.oakvillechoral.com
All arts organizations, artists, and arts workers across Canada are encouraged to participate in the National Arts and Culture Impact Survey (NACIS).
The NACIS was designed to capture a snapshot in time. Contributions to this survey will help paint a clearer picture of the current state of the arts and culture sector in Canada and shape arts advocacy efforts across our sector in the months to come. Questions revolve around the impact COVID-19 has had and will have on your work, finances, and plans. You will not be asked for any identifying information other than the first three digits of your postal code and the arts service organization(s) with which you or your organization are affiliated.
To submit your response, click here: https://survey.pra.ca/SE/1/NACIS/
Deadline for submissions is Monday, November 23, 2020. Make sure your voice is heard!
There are two paths through the NACIS: you may choose to fill it out as an individual artist or arts worker, or on behalf of an organization, group, or collective. The survey will take approximately 10 to 15 minutes to complete. If you’d like to represent both perspectives, you may choose to complete the survey twice.
Aggregate data will be shared with and reported on by the arts service organizations who commissioned the study. You will also have the opportunity to consent to sharing your survey responses with Choirs Ontario and any other arts service organization(s) you select for the purposes of sector- and region-specific reporting.
The following is a list of COVID-19 related resources for choirs compiled by Choirs Ontario.
Dr. Heather Nelson – Singing, the Church, and COVID-19: A Caution for Moving Forward in Our Current Pandemic.
The Middle Class Artist – NATS Panel of Experts Lays Out Sobering Future for Singers: “No Vaccine, No Safe Public Singing”.
Choirs Unite – Facebook Group: In this uncertain time, while we are all likely sharing feelings of isolation, let’s gather together to focus on engaging and loving our choristers through this hardship, and providing them with continued opportunities once we all come out the other side. This is a place to collect and share ideas for ear training, theory, vocal pedagogy, virtual choirs, group chats, repertoire, warm ups, part singing, upcoming auditions, touring, programming or anything else we may want to share and discuss. Let’s collaborate, share and unite through the coming months – Elise Bradley
This is My Choir – This Facebook group is a “virtual online choral festival”. Members are invited to post free links to video (or audio) recordings of their choir’s best performances for all to enjoy!
Choral Canada – COVID-19 Resources for the Canadian Choral Community.
Ontario Arts Council – Ontario Arts Council COVID-19 resources.
Canada Council – COVID-19: Information and support for the arts sector.
Elemental – Why Singers Might Be Covid-19 Super-Spreaders.
National Association for Music Education – Music Teacher Resources for School Closures.
The Choir Project – Facebook Group: The Choir Project’s mission is “to build community chorally” by providing Naples, Florida area choral singers of various ages, ethnicities, and abilities with innovative opportunities to sing together in short-term projects, under creative and visionary musical leadership.
Chorus America – Rehearsal Guide: Choral Singing in the Time of COVID-19 and Choruses and COVID-19.
Business/Arts – Arts Response Tracking Study
This session will seek to provide more Canadian-specific information, both on the science and data as well as its effect on choral singing in the near future. We will close with some great ideas of ways in which you can keep your ensembles growing and engaged and, hopefully, singing during this period of restrictions. This first webinar will aim to feature information applicable to choirs of all types.
Choral Canada organise un webinaire national le mercredi 20 mai à 19 heures, heure de l’Est (16h PC, 17h MTN, 18h CTRL, 20h ATL, 20h30 NL) qui cherchera à fournir des informations et du temps pour les questions et réponses. Beaucoup d’entre vous ont peut-être assisté au récent webinaire organisé par NATS/ACDA/Chorus America, ce qui nous a tous laissé un peu perplexe.
Cette séance cherchera à fournir des informations plus spécifiques au contexte canadien, tant sur la science et les données que sur son effet sur le chant choral dans un avenir proche. Nous terminerons avec quelques bonnes idées sur des stratégies qui pourront vous aider à maintenir un esprit d’engagement, d’apprentissage et de bonne volonté dans vos ensembles en attendant le retour des grands rassemblements. Ce premier webinaire visera à présenter des informations applicables aux chœurs de tous les types.
Ontario Arts Council announcement
Operatic baritone Russell Braun has received the Oskar Morawetz Award for Excellence in Music Performance. This prize honours the legacy of Oskar Morawetz, one of Canada’s leading composers of contemporary music, whose career spanned more than 50 years. It is presented biennially to an outstanding Canadian performer in the field of classical music, recognizing talent and commitment to Canadian music.
Russell was selected for this award by a jury of music professionals convened by the Ontario Arts Council. The jury, which was unanimous in its decision, stated: “Russell’s powerful voice and strong stage presence have made him a highly sought-after artist by the world’s major opera companies. Along with his stellar international reputation, he also makes it a point to maintain his commitment and connection to Canadian music and composers – including Oskar Morawetz.”
The award presentation took place on Wednesday, February 19, 2020, following that evening’s performance of the Canadian Opera Company’s Hansel & Gretel, in which he is performing the role of Peter. The award was co-presented by Claudia Morawetz, daughter of Oskar Morawetz, and Judith Gelber, vice-chair of the Ontario Arts Council board of directors.
In response to receiving the award, Russell said: “It fills me with a great sense of honour to receive the Oskar Morawetz Award. I am humbled to be in the company of other esteemed Canadian artists who have received this prize. I had the great privilege to meet Oskar Morawetz, and I saw how, through his keen sense of storytelling, he was able to express Canada’s place in history in a way that was informed by his own personal experience, empathy and sense of humour. Thank you to the award jurors, the Morawetz family and to all brave composers who express their voice and entrust artists to speak eternally for them.”
Congratulations to Nicholas Ryan Kelly, winner of the 2019 Ruth Watson Henderson Choral Composition Competition!
Choirs Ontario received 30 submissions from composers across the country. The compositions were reviewed by a distinguished jury including Hilary Apfelstadt, Leonard Enns, and Melissa Lalonde.
Memory’s Voices by Penticton, BC composer, Nicholas Ryan Kelly was chosen as the winner. Nicholas receives a cash prize of $2,000.00 and a premier performance to be determined.
From the jury: “The music is chorally idiomatic and well written, the harmonic journey is compelling and expressive, and the music/text relationship is sensitive and nuanced. Every moment reaches forward, to lead us through a rich and satisfying journey.”
The Snow-Shower by Toronto composer, Emily Green was given an honourable mention.
This is an attractive setting of this evocative and picturesque text (by William Cullen Bryant), with interesting and well-crafted harmonic changes, rewarding melodic material for all voice parts, changes in choral texture that keep the music fresh and engaging, and gentle metric shifts, all supported by the constant underlying voice of the piano.”
Nicholas Ryan Kelly is a composer who draws inspiration from speculative fiction, science, and nature. He has been commended by the Vancouver Sun for his “sophisticated work of such immediate, glittery appeal” and called “a rising star in the constellation of Canadian composers” by Oregon Arts Watch. Originally drawn to music’s storytelling power by symphonic film scores, he now brings a sense of cinematic drama to music for choirs, orchestras, and wind bands throughout North America.
Choirs Ontario is grateful to our jury members, Hilary Apfelstadt, Leonard Enns and Melissa Lalonde, Competition Coordinator Meghan Hila and Choirs Ontario Past President, Elaine Choi.
Choirs Ontario is proud to support Canadian composers and add to the rich legacy of Canadian choral music through the Ruth Watson Henderson Choral Composition Competition. Past winners of the competition include: Jason Jestadt, Mark Sirett, Leonard Enns, Allan Bevan, and Elise Letourneau. For a complete list of winners, please visit www.choirsontario.org/ruthwatsonhenderson.html
The competition was born out of a concert held in November 1992 to honour Ruth’s 60th birthday including Toronto Children’s Chorus, Elmer Iseler Singers, Amadeus Choir, Bach Children’s Chorus, Elora Festival Singers, Oriana Women’s Choir, and TMC Youth Chorus. The proceeds of this joint concert were used to establish the RWH competition. The administration of the competition was handed over to Choirs Ontario with Ruth Watson Henderson involved in judging the competition up until 2017.
One of Canada’s foremost musicians, Ruth Watson Henderson is renowned internationally both as a composer and pianist. Her works are acclaimed, performed, and recorded worldwide. The Ruth Watson Henderson Choral Competition was established in 1996 to recognize Ms. Watson Henderson’s invaluable contribution to the art of choral music. Ms. Henderson is very pleased to encourage the contribution to Canadian choral music that the competition provides, and appreciates the work of Choirs Ontario who administers this program.
Register NOW for the 2020 Annual Canadian Renaissance Music Summer School (May 2020)!
February 1st is the deadline for applications to participate in the annual Canadian Renaissance Music Summer School (CRMSS). Directed by world-renowned baritone and choral workshop leader Greg Skidmore https://www.gregskidmore.co.uk, it will once again take place from May 9 to 17, 2020 at Huron University (part of Western University) in London Ontario. In its third year, this school is the only Renaissance choral music workshop of its kind in Canada. It is on par with the best of these types of workshops run by The Tallis Scholars (Seattle), the Early Music Academy (Boston) and those held across England and Europe. In fact, the schools official patron is Peter Phillips, the current director of The Tallis Scholars.
A welcoming message from our director, Greg Skidmore:
“I can’t tell you how excited I am for CRMSS 2020. This is our third year and we’ve had such great fun and learned so much since May 2018. I’m especially excited this year to be focusing on the works of the Franco-Flemish school, really the ‘home’ of Renaissance polyphonic music. Equally exciting is our expanding tutor team, this year including CRMSS Guest Artist Robert Hollingworth (director of the UK’s dynamic and inventive vocal consort, I Fagiolini) and five master’s level performance students from the University of York in the UK, all of whom bring a wide range of experience and energy to the course. If you want to spend a whole week diving so deep into Renaissance polyphony you think you might never want to come up for air, please get in touch (email@example.com) and apply! I can’t wait to hear from you.”
Aimed primarily, but not exclusively, at undergraduate students, graduates, and young professional singers, the school is dedicated to the study and performance of Renaissance polyphonic vocal music at the highest levels. Students will learn from internationally-acknowledged specialist tutors from the worlds of performance and academia https://www.crmss.org/tutors.html, and be immersed in this magnificent music for a full week. It will be an intensive period of rehearsal and performance, both liturgically and in concert, all with an emphasis on quality in performance.
The theme of CRMSS 2020 is Beyond the Ordinary with a focus on Franco-Flemish music. Complete Details of the course curriculum here:https://www.crmss.org/course.html . Canadian Renaissance Music Summer School 2020 will culminate in a final live concert performance for the public at the end of the course, again this year in the gorgeous acoustics of St Peter’s Cathedral Basilica in London on Sunday, May 17th at 2:30pm.
We have received many glowing testimonials by students from previous years – like this one:
“CRMSS is an incredible opportunity for North American conducting students to get a profoundly different and valuable perspective on the art of choral music. Grounded in the choral practices of the most esteemed ensembles in the UK, Greg and co. teach you how to sing, study, and think like a top choral singer, an invaluable set of tools for anyone looking to conduct music at the highest level. I would highly recommend this course to any choral conducting student in the country.” (Paolo Debuque, MM University of Michigan, 2017). Learn more about our previous two years of courses here: https://www.crmss.org/2018report.pdf and here: https://www.crmss.org/2019report.pdf.
Chef de chœur, Choral Conductor
Robert Filion’s choirs are celebrated across Canada, earning top awards at the local, provincial and national level. His vocal ensembles at the Centre d’excellence artistique de l’Ontario (École De La Salle) have won six national championships and can be regular heard on the CBC and Radio-Canada. The voice programme he heads in the CEAOhas three times been designated Best Music Programme in the National Capital Region by the Kiwanis Music Festival and the CBC—in 2008, 2012 and 2017.
A talented musician and artistic director, in 2011 Robert Filion was appointed Artistic Director of Unisong, the annual Canada Day festival of Canadian choirs at the National Arts Centre. He works with the National Arts Centre Orchestra on concerts involving youth choirs. He focuses on new works and music from around the world, and has collaborated on productions of original Canadian works by, among others, Ruth Watson-Henderson, Laura Hawley, Kelly-Marie Murphy, Stephen Hatfield, Donald Patriquin, Frédéric Lacroix and Clifford Crawley.
In January 2018, M. Filion accepted with great enthusiasm the position of Choir Conductor for the University of Ottawa Choir. He looks forward to renewing his ties to his Alma Mater. In 2013 Mr. Filion received the Prime Minister’s Award for Teaching Excellence.
Les chœurs dirigés par Robert Filion sont reconnus partout au pays, décrochant des premiers prix à l’échelle locale, provinciale, nationale et internationale. Les ensembles vocaux sous sa direction au Centre d’excellence artistique de l’Ontario (École secondaire De La Salle), qu’on peut entendre régulièrement sur la CBC et Radio-Canada, ont remporté six concours nationaux. Le programme de musique vocale qu’il dirige au CEAO s’est vu attribuer à trois reprises (en 2008, 2012 et 2017) la désignation de Meilleur programme de musique de la capitale nationale par le Festival de musique Kiwanis et le réseau CBC.
En 2011, Robert Filion a été nommé directeur artistique de Unisong, le festival des chorales canadiennes qui se déroule chaque année au Centre national des arts, à l’occasion de la Fête du Canada. Il collabore avec l’Orchestre du Centre national des arts pour des concerts auxquels participent des chœurs de jeunes. Il met l’accent sur les œuvres nouvelles et la musique de différents pays, et il a apporté son concours à des productions d’œuvres canadiennes originales, notamment des œuvres de Ruth Watson-Henderson, Laura Hawley, Kelly-Marie Murphy, Stephen Hatfield, Donald Patriquin, Frédéric Lacroix et Clifford Crawley.
C’est avec la plus grande fierté qu’en janvier 2018 M. Filion accepte de prendre la direction musicale de la Chorale de l’Université d’Ottawa. Il entame cette nouvelle aventure avec beaucoup d’enthousiasme où il souhaite solidifier ses liens avec son Alma Mater. En 2013, M. Fillion s’est vu décerner le Prix du premier ministre pour l’excellence dans l’enseignement.
The Unisong Choral Festival has been uniting Canada through song since 1991. The festival brings hundreds of singers or all ages, from all parts of Canada to perform as one massed ensemble. Under the guidance of a well-known Canadian conductor, Unisong is at the heart of Canada Day festivities in the Nation’s Capital!
The festival runs June 28th to July 2nd each year and provides choirs a once in a lifetime chance to perform in marquis venues in Ottawa.
2020’s guest conductor is Kathleen Allan, the incoming Artistic Director and Conductor of the Amadeus Choir of Greater Toronto and is the Artistic Director of Canzona, Winnipeg’s professional Baroque choir!
Every year is different, with unique performance opportunity, and featuring a repertoire of Canadian and International folk music hand-picked by our guest conductor. Additionally, Unisong has a partnership with Heritage Canada, the National Arts Centre, and the City of Ottawa, to ensure that our performers have the opportunity for amazing performances in locations not normally available. Past performance opportunities include singing O Canada on Parliament Hill and singing alongside the National Arts Centre Orchestra.
Have a look at our massed ensemble in 2017!
For more information please visit our website, https://www.unisong.ca or contact our Festival Director, Mike Greenwood at:
We are now accepting applications for 2020 and beyond!
For Immediate Release | December 9, 2019
Music festival now more accessible to all choral music lovers.
Mississauga, Ontario, Canada – David Ambrose, Artistic Director announced some exciting pricing and programming changes that will make the Choral Mosaic music festival more accessible to everyone in our choral community. Choral Mosaic will now be held on 2 days (June 26 & 27, 2020) for a new Early Bird price of $199 CAD until February 29, 2020. There will now also be open rehearsals offered for all participants.
Choral Mosaic 2020 will still feature performances from Rajaton and Mississauga Symphony Orchestra, and a spectacular Gala Concert featuring a brand-new commissioned work by renowned composer Kim André Arnesen. Choral music enthusiasts of all skill levels will be invited to participate in a mass choir at the Gala Concert, no audition required. Choral Mosaic will also feature a keynote address by Kim André Arneson and master classes and workshops from top choral clinicians.
Choral Mosaic 2020 Program Highlights:
- Keynote address from Norwegian composer Kim André Arnesen;
- Concert by Finnish a capella performing artists Rajaton;
- Master Class by Rajaton;
- Mass Choir Gala Performance of the world premiere of a brand-new choral work by Kim André Arnesen, with Denis Mastromonaco conducting the Mississauga Symphony Orchestra;
- Open rehearsals for all choristers prior to the festival weekend;
- Master classes and workshops;
- Every participant will have an opportunity to perform with no audition required!
Early Bird passes for the 2-day festival are on sale now for $199 CAD until February 29, 2020 here.
For more info, visit www.choralmosaic.com