Interested in contributing to Choir Ontario’s digital magazine publication, Dynamic?
Choirs Ontario is currently seeking submissions for the March 2024 issue of Dynamic!
Feature articles:
- Topics for feature articles may include repertoire, choral history, performance practice, choral composers and conductors (including interviews), rehearsal techniques, vocal technique, choir management and organization, choral music education, and sociological aspects of choral singing.
- Articles must be limited to 1,500 words or less and submitted in Microsoft Word format.
- Referenced material should be noted in the body of the text and cited as endnotes.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
- Articles are accepted for publication when board members determine that the article contains information that pertains directly to the general interests of the Choirs Ontario membership. We reserve the right to edit all material for length, grammar, timeliness, and appropriateness.
Choir News Items:
- News items report current or recent news about your choir including activities, milestones, tours, and recordings.
- Please do not include upcoming concert promotion in your write-up. Details about concerts and events should be submitted to Choirs Ontario’s Event Calendar.
- Items must be limited to 400 words or less and be submitted in Microsoft Word format.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
Photos and Graphics (e.g., logo, banners, etc.)
- All photos (including author headshot) must be in colour, 300 dpi, and measure at least 4” x 6” and be in .jpeg or .psd file format. Please ensure that you have obtained consent from choir members and/or instrumentalists before submitting your photos.
- Submit graphics in one of the following formats: Illustrator file (AI), high-resolution PDF, or EPS.
- Submit all photos and graphics separately, never embedded in a document. Depending on space, not all submitted photos may be used.
At Choirs Ontario, we value and seek to actively involve the full range of what makes people unique in order to create a strong and innovative choral music sector where amazing people thrive. We strongly encourage article submissions from Indigenous peoples, people of colour, people with disabilities, people from all gender and sexually diverse communities and people with intersectional identities.
Please note all contributors must be current Choir Ontario members. You can join Choirs Ontario here.
The deadline to submit is February 15, 2024.
Please submit all materials to Dynamic Editor, Matthew Emery at editor@choirsontario.org.
Choirs Ontario is accepting submissions for the 2024 Ruth Watson Henderson Choral Composition Competition
Choirs Ontario is now accepting entries for the 2024 Ruth Watson Henderson Choral Composition Competition.
Prize: $2,000 and a premiere performance with one of Ontario’s celebrated choirs.
Entry Deadline: February 15, 2024
Composition Guidelines for the 2024 Competition (SSA Composition)
- The composition must be an original SSA work (composed for performance by a community treble choir), 4-6 minutes in length, a capella or piano accompaniment.
*A capella submissions MUST include a piano reduction - Texts may be sacred or secular and can be in languages other than English/French. The text must be either original, known to be in public domain or be accompanied by a letter of permission from the copyright owner.
- All submissions must not have been previously commissioned, published or performed. Arrangements of previously composed works are not acceptable. The composer shall retain the copyright of the work.
- Previous competition finalists re-applying must submit a different piece.
- Multiple entries by a single composer will not be accepted.
Call for Submissions: Dynamic Magazine
Interested in contributing to Choir Ontario’s digital magazine publication, Dynamic?
Choirs Ontario is currently seeking submissions for the November 2022 issue of Dynamic!
Feature articles:
- Topics for feature articles may include repertoire, choral history, performance practice, choral composers and conductors (including interviews), rehearsal techniques, vocal technique, choir management and organization, choral music education, and sociological aspects of choral singing.
- Articles must be limited to 1,500 words or less and submitted in Microsoft Word format.
- Referenced material should be noted in the body of the text and cited as endnotes.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
- Articles are accepted for publication when board members determine that the article contains information that pertains directly to the general interests of the Choirs Ontario membership. We reserve the right to edit all material for length, grammar, timeliness, and appropriateness.
Choir News Items:
- News items report current or recent news about your choir including activities, milestones, tours, and recordings.
- Please do not include upcoming concert promotion in your write-up. Details about concerts and events should be submitted to Choirs Ontario’s Event Calendar.
- Items must be limited to 400 words or less and be submitted in Microsoft Word format.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
Photos and Graphics (e.g., logo, banners, etc.)
- All photos (including author headshot) must be in colour, 300 dpi, and measure at least 4” x 6” and be in .jpeg or .psd file format. Please ensure that you have obtained consent from choir members and/or instrumentalists before submitting your photos.
- Submit graphics in one of the following formats: Illustrator file (AI), high-resolution PDF, or EPS.
- Submit all photos and graphics separately, never embedded in a document. Depending on space, not all submitted photos may be used.
At Choirs Ontario, we value and seek to actively involve the full range of what makes people unique in order to create a strong and innovative choral music sector where amazing people thrive. We strongly encourage article submissions from Indigenous peoples, people of colour, people with disabilities, people from all gender and sexually diverse communities and people with intersectional identities.
Please note all contributors must be current Choir Ontario members. You can join Choirs Ontario here.
The deadline to submit is October 15, 2022.
Please submit all materials to Dynamic Editor, Matthew Emery at editor@choirsontario.org.
Call for Submissions: Dynamic Magazine
Interested in contributing to Choir Ontario’s digital magazine publication, Dynamic?
Choirs Ontario is currently seeking submissions for the March 2022 issue of Dynamic!
Feature articles:
- Topics for feature articles may include repertoire, choral history, performance practice, choral composers and conductors (including interviews), rehearsal techniques, vocal technique, choir management and organization, choral music education, and sociological aspects of choral singing.
- Articles must be limited to 1,500 words or less and submitted in Microsoft Word format.
- Referenced material should be noted in the body of the text and cited as endnotes.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
- Articles are accepted for publication when board members determine that the article contains information that pertains directly to the general interests of the Choirs Ontario membership. We reserve the right to edit all material for length, grammar, timeliness, and appropriateness.
Choir News Items:
- News items report current or recent news about your choir including activities, milestones, tours, and recordings.
- Please do not include upcoming concert promotion in your write-up. Details about concerts and events should be submitted to Choirs Ontario’s Event Calendar.
- Items must be limited to 400 words or less and be submitted in Microsoft Word format.
- Submissions must include the author’s name, brief bio (max. 25 words), and a headshot.
Photos and Graphics (e.g., logo, banners, etc.)
- All photos (including author headshot) must be in colour, 300 dpi, and measure at least 4” x 6” and be in .jpeg or .psd file format. Please ensure that you have obtained consent from choir members and/or instrumentalists before submitting your photos.
- Submit graphics in one of the following formats: Illustrator file (AI), high-resolution PDF, or EPS.
- Submit all photos and graphics separately, never embedded in a document. Depending on space, not all submitted photos may be used.
At Choirs Ontario, we value and seek to actively involve the full range of what makes people unique in order to create a strong and innovative choral music sector where amazing people thrive. We strongly encourage article submissions from Indigenous peoples, people of colour, people with disabilities, people from all gender and sexually diverse communities and people with intersectional identities.
Please note all contributors must be current Choir Ontario members. You can join Choirs Ontario here.
The deadline to submit is February 8, 2022.
Please submit all materials to Dynamic Editor, Matthew Emery at editor@choirsontario.org.
Ruth Watson Henderson Choral Composition Competition Accepting Submissions!
Choirs Ontario is now accepting entries for the 2021 Ruth Watson Henderson Choral Composition Competition.
Prize: $2,000 and a premiere performance with one of Ontario’s celebrated choirs.
Entry deadline: December 1, 2021
Composition Guidelines for the 2021 Competition (SATB Composition)
-The composition must be an original SATB work, 4-6 minutes, a cappella or piano accompaniment
-A cappella submissions MUST include piano reduction.
-Texts may be sacred or secular and can be in languages other than English/French. The text must be either original, known to be in public domain or be accompanied by a letter of permission from copyright owner.
-All submissions must not have been previously commissioned, published or performed and must have been composed within the last two years. Arrangements of previously composed works are not acceptable. The composer shall retain the copyright of the work.
-Previous competition finalists re-applying must submit a different piece.
For submission guidelines and entry form, please visit www.choirsontario.org/programs-awards.
PODIUM 2022: We want to hear from you!
At Choirs Ontario, we’re excited to co-host the PODIUM conference this year alongside Choral Canada! We’re looking for your input on how to make PODIUM 2022 a great success! We invite you to share your ideas for evening concerts, special projects, community outreach or other activities both for our in-person and virtual delegates! Visit this form for more details: https://docs.google.com/forms/d/e/1FAIpQLSe7sRmysa7hZYFHieESMzK4-OBLRTbwAcR4D4ZYWrJp4DvGDQ/viewform
Grand Philharmonic Choir Choral Works Competition
Announcement
Click Here for Details of the Competition
Ken Fleet Choral Conducting Scholarship Now Open For Applications!
Application Dates: December 1, 2020 – March 1, 2021
National Choral Awards Deadline: March 1, 2020
(French version to follow/Version française à suivre)
Do you know anyone who has excelled in any of the following categories? Get their outstanding work recognized by nominating them for a National Choral Award!
Deadline: March 1, 2020
Click here to submit a nomination: https://www.choralcanada.org/national-choral-awards.html
Connaissez-vous quelqu’un qui fait du travail excellent dans l’une des catégories ci-dessous? Vous pouvez récompenser leurs efforts en posant leur candidature pour un des Prix nationaux de chant choral!
Date limite: le 1 mars 2020
Pour poser une candidature: https://www.choralcanada.org/prix-nationaux-de-chant-choral.html
Registration Now Open: Canadian Renaissance Music Summer School
Register NOW for the 2020 Annual Canadian Renaissance Music Summer School (May 2020)!
February 1st is the deadline for applications to participate in the annual Canadian Renaissance Music Summer School (CRMSS). Directed by world-renowned baritone and choral workshop leader Greg Skidmore https://www.gregskidmore.co.uk, it will once again take place from May 9 to 17, 2020 at Huron University (part of Western University) in London Ontario. In its third year, this school is the only Renaissance choral music workshop of its kind in Canada. It is on par with the best of these types of workshops run by The Tallis Scholars (Seattle), the Early Music Academy (Boston) and those held across England and Europe. In fact, the schools official patron is Peter Phillips, the current director of The Tallis Scholars.
A welcoming message from our director, Greg Skidmore:
“I can’t tell you how excited I am for CRMSS 2020. This is our third year and we’ve had such great fun and learned so much since May 2018. I’m especially excited this year to be focusing on the works of the Franco-Flemish school, really the ‘home’ of Renaissance polyphonic music. Equally exciting is our expanding tutor team, this year including CRMSS Guest Artist Robert Hollingworth (director of the UK’s dynamic and inventive vocal consort, I Fagiolini) and five master’s level performance students from the University of York in the UK, all of whom bring a wide range of experience and energy to the course. If you want to spend a whole week diving so deep into Renaissance polyphony you think you might never want to come up for air, please get in touch (info@crmss.org) and apply! I can’t wait to hear from you.”
Aimed primarily, but not exclusively, at undergraduate students, graduates, and young professional singers, the school is dedicated to the study and performance of Renaissance polyphonic vocal music at the highest levels. Students will learn from internationally-acknowledged specialist tutors from the worlds of performance and academia https://www.crmss.org/tutors.html, and be immersed in this magnificent music for a full week. It will be an intensive period of rehearsal and performance, both liturgically and in concert, all with an emphasis on quality in performance.
The theme of CRMSS 2020 is Beyond the Ordinary with a focus on Franco-Flemish music. Complete Details of the course curriculum here:https://www.crmss.org/course.html . Canadian Renaissance Music Summer School 2020 will culminate in a final live concert performance for the public at the end of the course, again this year in the gorgeous acoustics of St Peter’s Cathedral Basilica in London on Sunday, May 17th at 2:30pm.
We have received many glowing testimonials by students from previous years – like this one:
“CRMSS is an incredible opportunity for North American conducting students to get a profoundly different and valuable perspective on the art of choral music. Grounded in the choral practices of the most esteemed ensembles in the UK, Greg and co. teach you how to sing, study, and think like a top choral singer, an invaluable set of tools for anyone looking to conduct music at the highest level. I would highly recommend this course to any choral conducting student in the country.” (Paolo Debuque, MM University of Michigan, 2017). Learn more about our previous two years of courses here: https://www.crmss.org/2018report.pdf and here: https://www.crmss.org/2019report.pdf.