Antonín Dvořák’s Mass was commissioned in 1887 by the architect and patron Josef Hlávka for the inauguration of the chapel that he had built for his summer residence in Lužany, Czech Republic. Due to the size of the chapel, the choir had to be small, and no orchestra was possible; thus the original scoring for organ accompaniment. He thought the work could be subtitled Faith, Hope and Love, and be understood as giving thanks to God. The Mass is intentionally kept simple, as it is basically written for choir, with only occasional lines for soloists, and technically not difficult. Dvořák achieves expressiveness with simple means, such as folksong-like tunes in rich harmonies. The mass was expanded to an orchestral version in 1892. It is a full orchestration with the odd exception of having neither flutes nor clarinets in the score! Dvořák was deeply religious and this charming work reflects his simple but powerful faith.
The Artistic Director of Etobicoke Centennial Choir since 2008, Henry Renglich is a versatile pianist, composer and music pedagogue. While living in Montreal, he performed with Les Grands Ballets Canadiens and Linda Rabin Danse Moderne. He composed musical and theatrical works, including a cabaret for The National Theatre School, and he was Musical Director for the Piggery Theatre in North Hatley, Quebec. His opera experience includes serving as accompanist for Toronto Opera Repertoire and Coro Verdi, as well as chorus director for Opera Hamilton. An experienced music pedagogue who believes strongly in quality music education for youngsters, Henry’s children’s choirs, which have won many awards, have been chosen for professional theatrical productions. He currently teaches music at Unionville Montessori School, where he directs choirs and musical theatre.
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